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ISSUE ONE     AUTUMN 2020

Editorial • ‘Daylighting’ Eloise Birtwhistle • ‘The whalebone, dreaming’ Mike Farren • ‘Undreamed Light’, ‘Undressed Light’ Richard Price     ‘Meals’ Julie-ann Rowell • ‘Hamish’s Stair’ Shirley Nicholson • ‘White Noise’ ‘Canal’ ‘Summer’ ‘Good Grief’ ‘Graft’ Elle Heedles • ‘Spying on the fangs of solitude’ Tinashe Mushakavanhu • ‘Personal Archive’ Rupert Loydell • ‘Rear Naked’, Christopher Barkley • ‘Feeling’ Arthur Rimbaud (trans. Angus Reid) • ‘Provenance’ ‘Muse’ ‘Among Antiques’ Ken Cockburn • ‘Neolithic Living’ Hamish Swanson • ‘Thresh Winnow Dry’ Aea Varfis-van Warmelo • ‘Velour Legume Serenade’ ‘Night Plantscape’ ‘pony cat’ Colin Herd • ‘-erie-‘ ‘-before, between, & after a drink-‘ ‘-adreamandnow-‘ Anthony Daly • ‘Television in Port Talbot’ George Sandifer-Smith • ‘Cockroach’ Jeanne Macdonald • ‘between pints’ ‘other warrens’ ‘Gentrify’, ‘Cat Machine in Budva, Montenegro’ Scott Lilley • ‘These Hands’ Carl Alexandersson • ‘The Return’ Olivia Rafferty • ‘Imagos’ T. Person • ‘Mend’ Martin Breul • ‘A new word for ‘hello’’ Giovanna MacKenna • ‘The Eel’ Stephen Wade • ‘8’ Sylee Gore • ‘Greet worthy’ Nel Goenas • ‘Pasiphaë in the Park’ Janet Murray • ‘Nigel-no-mates’ Sam Skoog • ‘The Silver Darlings’ David Canning • ‘I wanted so much just to be’ Kirsty Dunlop