Issue One, Autumn 2020, co-edited with Christian Lemay

Editorial

‘Daylighting’ Eloise Birtwhistle / ‘The whalebone, dreaming’ Mike Farren / ‘Undreamed Light’, ‘Undressed Light’ Richard Price / ‘Meals’ Julie-ann Rowell / ‘Hamish’s Stair’ Shirley Nicholson / ‘White Noise’, ‘Canal’, ‘Summer’, ‘Good Grief’, ‘Graft’ Elle Heedles / ‘Spying on the fangs of solitude’ Tinashe Mushakavanhu / ‘Personal Archive’ Rupert Loydell / ‘Rear Naked’, Christopher Barkley / ‘Feeling’ Arthur Rimbaud (trans. Angus Reid) / ‘Provenance’, ‘Muse’, ‘Among Antiques’ Ken Cockburn / ‘Neolithic Living’ Hamish Swanson / ‘Thresh Winnow Dry’ Aea Varfis-van Warmelo / ‘Velour Legume Serenade’ ‘Night Plantscape’ ‘pony cat’ Colin Herd / ‘-erie-‘, ‘-before, between, & after a drink-‘, ‘-adreamandnow-‘ Anthony Daly / ‘Television in Port Talbot’ George Sandifer-Smith / ‘Cockroach’ Jeanne Macdonald / ‘between pints’, ‘other warrens’, ‘Gentrify’, ‘Cat Machine in Budva, Montenegro’ Scott Lilley / ‘These Hands’ Carl Alexandersson / ‘The Return’ Olivia Rafferty / ‘Imagos’ T. Person / ‘Mend’ Martin Breul / ‘A new word for ‘hello’’ Giovanna MacKenna / ‘The Eel’ Stephen Wade / ‘8’ Sylee Gore / ‘Greet worthy’ Nel Goenas / ‘Pasiphaë in the Park’ Janet Murray / ‘Nigel-no-mates’ Sam Skoog / ‘The Silver Darlings’ David Canning / ‘I wanted so much just to be’ Kirsty Dunlop

Issue Four Original artwork by Laura Wade